Tommaso Calabro S.r.l.
Corso Italia 47
20122 Milan (Italy)
info@tommasocalabro.com
+39 0249696387
“L’Heure du Chat, a project by Barnaba Fornasetti in collaboration with Tommaso Calabro, brings into dialogue the imaginative worlds of Fornasetti, Leonor Fini (1907-1996) and Stanislao Lepri (1905-1980), between Surrealism, art and design. On view at the Fornasetti Store in Milan from 14 November to 31 December 2025, the exhibition explores the feline as a symbol of freedom, grace, and metamorphosis – a recurring presence in both Fornasetti’s aesthetic universe and in the surreal, visionary imagery of Fini and Lepri."
Our New York pop-up gallery pop-up, open for one month in May 2025, featured in the article "Are We Finally Ready for Harold Stevenson and the 'Biggest Nude in the World'?" by William Van Meter among the recent exhibitions that continues to expand research on the American artist Harold Stevenson.
“Tommaso Calabro is not your typical gallerist. Intellectual, curious, and radically free, he chose to carve out a path that is quite romantic in its dedication to research, curatorial vision, and a genuine love for the eccentric and erudite figures of the twentieth century— often overlooked by the art system. His galleries – from Milan to Venice to New York – are not simply exhibition spaces, but stages for new historical readings, where archives meet intuition, and time is not a straight line but a shifting ocean. In this conversation, Calabro shares his method, his choices and his obsessions – and he claims his right not to follow trends.”
We are thrilled to announce the opening of our pop-up gallery in New York on Thursday, May 1st, 2025, with two exhibitions dedicated to the American artist Harold Stevenson (1929-2018) and to the contemporary Italian painter Aldo Sergio (b. 1982). Located at the heart of Chelsea at 545 W 23rd St., the space will be open through May 31, 2025.
The exhibition Io sono LEONOR FINI, from February 26 to July 20 2025 at Palazzo Reale in Milan, homages the Italo-Argentine artist Leonor Fini (1907-1996), one of the most original and visionary figures of the 20th Century. Featuring over one hundred works – including paintings, drawings, photographs, theatrical costumes, books, and videos – the exhibition delves into her imaginative world, organized into thematic sections that underscore her eclecticism and expressive intensity. A femme fatale with a magnetic charm and a turbulent temperament, Fini is an artist who defies categorization. While independent from any movement, yet linked to Surrealism, she also exhibited with gallerist Alexandre Iolas, creating a unique language that exists between dream, myth, and enigma.
For this year’s Christmas window display, Selfridges has invited artist Flaminia Veronesi (1986) to bring her unique touch to its department store on Oxford Street in London. In each of the three displays of Play with Fantasy (2024), Veronesi has crafted parallel dimensions that explore the fantastic through diverse media and imaginaries, bringing together a perfect match for the enchantment of the holiday season.
"With one location at Corso Italia 47 and another in Venice, [Tommaso Calabro] tells us how the market is moving and why the next few years will be decisive."
Adelisa Selimbašić is featured in the latest D la Repubblica issue Corpo Libero. Details Flowers, a series of works created for the project The space in between at Tommaso Calabro Milano, accompany an essay by Chiara Barzini.
“A refined encounter between art, space, and vision, where curatorship becomes an elegant gesture that gives voice to new expressive languages.” Tommaso Calabro shares his views with the Trussardi Gentle Society.
Tommaso Calabro participates to Milano Art Week program (1-6 April 2025) with two exhibitions: a monographic show dedicated to the Italian artist Fulvia Levi Bianchi (1927-2006), and the second chapter of its contemporary Project Room, The space in between, a project by the Italo-Bosnian artist Adelisa Selimbašić (Karlsruhe, 1996), curated by Delfina Pattacini.
“Italian gallerist Tommaso Calabro, with locations in Milan and Venice, is opening a pop-up space in New York. It will be in Chelsea, on 23rd Street, in an area dense with galleries, and will be open from May 1 to 31, one of the most crucial periods for the international art market, with major houses’ auctions and the art fairs Frieze and Independent.”
"I think that the interest in Surrealism has grown partly because of the recognition of its importance in the history of the 20th century, and partly because of the emerging preference for figurative language.However, there is still room for growth for many figures, starting with Leonor Fini and Stanislao Lepri, who experienced Surrealism in Paris in the 1940s, but also artists such as William Copley and Tiger Tateishi, who looked at this historical movement and took Alexander Iolas, the gallerist of Magritte and Max Ernst, as a mentor." - Tommaso Calabro.
“You must pass through the carriage entrance and climb the stone staircase to reach the main floor of this 14th-century palace, home to Tommaso Calabro's gallery. Continue on to his adjoining apartment, where works are displayed in every room, including the kitchen and bathroom. A specialist in modern Italian and international art, he has been exhibiting in Venice since 2024 and in Milan since 2018, showcasing renowned but forgotten 20th-century artists, such as the prolific surrealist Leonor Fini. Palazzo Donà Brusa, Campo San Polo 2177.”
Harold Stevenson: Less Real Than My Routine Fantasy, the first institutional solo exhibition of Harold Stevenson's work in New York, opened on June 28 at Art Omi in Ghent, NY, and will be on view through October 26, 2025. Curated by Sara O’Keeffe, with Guy Weltchek, the exhibition explores Stevenson’s five-decade commitment to the sensual, and his bold efforts to bring depictions of the male body into the public sphere.
“Through this exhibition, Tommaso Calabro’s Venice location reaffirms its dedication to rediscovering Surrealism and showcasing works by famous and lesser-known figures of the movement. The exhibition pays tribute to the multifaceted genius of Man Ray, whose groundbreaking and revolutionary creative approach has left an enduring mark on the history of art.”
Tommaso Calabro is pleased to take part in the Venice Gallery Weekend (21-23 March 2025), a collective initiative promoted by Venice Galleries View and supported by the City of Venice, which brings together seventeen of the city’s most dynamic art galleries. The event invites both local and international audiences to explore new projects, visit gallery spaces, and engage in a program of talks and events, with the aim of strengthening the bond between Venice and contemporary art, while showcasing vibrant art spaces active throughout the year. For the occasion, Tommaso Calabro offers an exclusive preview of the exhibition Man Ray at its Palazzo Donà Brusa location.
"Calabro, who currently divides his time between Venice and Milan, where his gallery has another branch, is part of a new wave of second-home buyers reinvigorating historic Venice’s residential sector."
Congratulations to Flaminia Veronesi for being shortlisted as one of the finalists of the 23rd Premio Cairo. Veronesi’s work Draga, mostruoso femminile (2024) will be exhibited as part of the prize’s final exhibition from October 15 to October 20 at the Museo della Permanente in Milan.
“L’Heure du Chat, a project by Barnaba Fornasetti in collaboration with Tommaso Calabro, brings into dialogue the imaginative worlds of Fornasetti, Leonor Fini (1907-1996) and Stanislao Lepri (1905-1980), between Surrealism, art and design. On view at the Fornasetti Store in Milan from 14 November to 31 December 2025, the exhibition explores the feline as a symbol of freedom, grace, and metamorphosis – a recurring presence in both Fornasetti’s aesthetic universe and in the surreal, visionary imagery of Fini and Lepri."
"With one location at Corso Italia 47 and another in Venice, [Tommaso Calabro] tells us how the market is moving and why the next few years will be decisive."
“You must pass through the carriage entrance and climb the stone staircase to reach the main floor of this 14th-century palace, home to Tommaso Calabro's gallery. Continue on to his adjoining apartment, where works are displayed in every room, including the kitchen and bathroom. A specialist in modern Italian and international art, he has been exhibiting in Venice since 2024 and in Milan since 2018, showcasing renowned but forgotten 20th-century artists, such as the prolific surrealist Leonor Fini. Palazzo Donà Brusa, Campo San Polo 2177.”
Our New York pop-up gallery pop-up, open for one month in May 2025, featured in the article "Are We Finally Ready for Harold Stevenson and the 'Biggest Nude in the World'?" by William Van Meter among the recent exhibitions that continues to expand research on the American artist Harold Stevenson.
Adelisa Selimbašić is featured in the latest D la Repubblica issue Corpo Libero. Details Flowers, a series of works created for the project The space in between at Tommaso Calabro Milano, accompany an essay by Chiara Barzini.
Harold Stevenson: Less Real Than My Routine Fantasy, the first institutional solo exhibition of Harold Stevenson's work in New York, opened on June 28 at Art Omi in Ghent, NY, and will be on view through October 26, 2025. Curated by Sara O’Keeffe, with Guy Weltchek, the exhibition explores Stevenson’s five-decade commitment to the sensual, and his bold efforts to bring depictions of the male body into the public sphere.
“Tommaso Calabro is not your typical gallerist. Intellectual, curious, and radically free, he chose to carve out a path that is quite romantic in its dedication to research, curatorial vision, and a genuine love for the eccentric and erudite figures of the twentieth century— often overlooked by the art system. His galleries – from Milan to Venice to New York – are not simply exhibition spaces, but stages for new historical readings, where archives meet intuition, and time is not a straight line but a shifting ocean. In this conversation, Calabro shares his method, his choices and his obsessions – and he claims his right not to follow trends.”
“A refined encounter between art, space, and vision, where curatorship becomes an elegant gesture that gives voice to new expressive languages.” Tommaso Calabro shares his views with the Trussardi Gentle Society.
“Through this exhibition, Tommaso Calabro’s Venice location reaffirms its dedication to rediscovering Surrealism and showcasing works by famous and lesser-known figures of the movement. The exhibition pays tribute to the multifaceted genius of Man Ray, whose groundbreaking and revolutionary creative approach has left an enduring mark on the history of art.”
We are thrilled to announce the opening of our pop-up gallery in New York on Thursday, May 1st, 2025, with two exhibitions dedicated to the American artist Harold Stevenson (1929-2018) and to the contemporary Italian painter Aldo Sergio (b. 1982). Located at the heart of Chelsea at 545 W 23rd St., the space will be open through May 31, 2025.
Tommaso Calabro participates to Milano Art Week program (1-6 April 2025) with two exhibitions: a monographic show dedicated to the Italian artist Fulvia Levi Bianchi (1927-2006), and the second chapter of its contemporary Project Room, The space in between, a project by the Italo-Bosnian artist Adelisa Selimbašić (Karlsruhe, 1996), curated by Delfina Pattacini.
Tommaso Calabro is pleased to take part in the Venice Gallery Weekend (21-23 March 2025), a collective initiative promoted by Venice Galleries View and supported by the City of Venice, which brings together seventeen of the city’s most dynamic art galleries. The event invites both local and international audiences to explore new projects, visit gallery spaces, and engage in a program of talks and events, with the aim of strengthening the bond between Venice and contemporary art, while showcasing vibrant art spaces active throughout the year. For the occasion, Tommaso Calabro offers an exclusive preview of the exhibition Man Ray at its Palazzo Donà Brusa location.
The exhibition Io sono LEONOR FINI, from February 26 to July 20 2025 at Palazzo Reale in Milan, homages the Italo-Argentine artist Leonor Fini (1907-1996), one of the most original and visionary figures of the 20th Century. Featuring over one hundred works – including paintings, drawings, photographs, theatrical costumes, books, and videos – the exhibition delves into her imaginative world, organized into thematic sections that underscore her eclecticism and expressive intensity. A femme fatale with a magnetic charm and a turbulent temperament, Fini is an artist who defies categorization. While independent from any movement, yet linked to Surrealism, she also exhibited with gallerist Alexandre Iolas, creating a unique language that exists between dream, myth, and enigma.
“Italian gallerist Tommaso Calabro, with locations in Milan and Venice, is opening a pop-up space in New York. It will be in Chelsea, on 23rd Street, in an area dense with galleries, and will be open from May 1 to 31, one of the most crucial periods for the international art market, with major houses’ auctions and the art fairs Frieze and Independent.”
"Calabro, who currently divides his time between Venice and Milan, where his gallery has another branch, is part of a new wave of second-home buyers reinvigorating historic Venice’s residential sector."
For this year’s Christmas window display, Selfridges has invited artist Flaminia Veronesi (1986) to bring her unique touch to its department store on Oxford Street in London. In each of the three displays of Play with Fantasy (2024), Veronesi has crafted parallel dimensions that explore the fantastic through diverse media and imaginaries, bringing together a perfect match for the enchantment of the holiday season.
"I think that the interest in Surrealism has grown partly because of the recognition of its importance in the history of the 20th century, and partly because of the emerging preference for figurative language.However, there is still room for growth for many figures, starting with Leonor Fini and Stanislao Lepri, who experienced Surrealism in Paris in the 1940s, but also artists such as William Copley and Tiger Tateishi, who looked at this historical movement and took Alexander Iolas, the gallerist of Magritte and Max Ernst, as a mentor." - Tommaso Calabro.
Congratulations to Flaminia Veronesi for being shortlisted as one of the finalists of the 23rd Premio Cairo. Veronesi’s work Draga, mostruoso femminile (2024) will be exhibited as part of the prize’s final exhibition from October 15 to October 20 at the Museo della Permanente in Milan.